RAW + JPEG in Lightroom 5

A recent discussion with a photog friend sparked this post.

Ever wondered why you could never see your JPEG files after an import into Lightroom? I mean, you shot RAW + JPEG, right? You loaded the card with both the RAW files and the JPEG files into your card reader, right? And you imported the entire card, right? So where are those JPEGs?

Turns out it’s an easy fix. (At least from this point forward.) There is a toggle to check in Preferences, but by default Lightroom leaves it unchecked.

When you’re in Lightroom, up in the left hand corner, click on the word “Lightroom”, then click Preferences; on the  General settings page you should see Import Options, under that is “Treat JPEG files next to RAW files as separate photos.” Check that box. You’re done. (Screenshot below:)

Now, should you do this? Well if you have a ton of space on your HD and you truly feel a need for it, meaning you can shoot quality JPEGs and plan to do minimal post production but want the RAW file just in case, then sure. But I can’t see doing that too often. For me, I’d rather shoot one or the other. Most often RAW, of course. But there are occasions where I’ll shoot straight JPEGs and be done with it.

In the end it’s a personal choice. If I’ve missed a truly compelling reason to always shoot RAW+JPEG, please let me know in comments.

Cheers.

raw + jpeg tutorial for lightroom users

RAW + JPEG in Lightroom

Fuji X100S Review

fujifilm x100s, all black model, with nikon sb800.

Fuji X100S, Clad in black.

{This is in no way the most comprehensive review of this camera you can find. For that you should check out David Hobby and Zack Arias and Kai Wong. What follows is simply a first impression type of review after a few days usage. No pixel peeping or tech talk is used…well, not excessively anyway.}

The Fuji X100S is like a nineteen-sixties era Porsche 911. A small, yet sturdy high performance machine in a beautiful body that’s a challenge to master. Just because you can buy one doesn’t mean you can drive one. Sure, you can get from point A to point B. But you can do that with any car. You don’t buy a 911 to go to the grocery store. The 911 is built for a different purpose. Same with the X100S. It can be quirky and a little temperamental, but sticking with it, overcoming the quirks, is well worth the effort.

This camera is a sexy machine. It looks good and feels good. I love its light weight and its quiet shutter. And as many others have pointed out the all black model helps make it that much more unobtrusive. People either don’t notice it or don’t think much of it, which means it’s easier now to get those unguarded and more natural moments.

The out-of-the-camera JPEGs rock! There is a seriously nice look about them. This is important if you’re going to use the camera’s film simulations (Velvia, Astia, Provia, B&W, Sepia). If you’re strictly a RAW shooter then this means less to you. But I would bet if you’re a RAW + JPEG shooter and you use one of the applied film simulations you’ll be surprised how often you end up using the JPEG rather than the RAW file. With little or no tweaking in post. They’re that good.

Auto focus in low light can be sketchy. The Nikon D700 is a rock star in this area. So even as Fuji has improved upon its original X100, I find that it’s not close to the D700 regarding speed and accuracy. Maybe in a firmware update? I have no complaints about AF in good light and the manual focus in all situations is just fine. (I hear this is a vast improvement from the original.)

Flash. Oh boy, flash photography just got interesting. The Fuji X100S has a leaf shutter, as opposed to a curtain shutter. Which means it can synch with the flash at a higher shutter speed than most cameras. Like 1/1000th of a second! That’s cool, of course, but it gets better. There is a built in ND filter you can drop right in front of the sensor to give yourself three extra stops to work with. Which means you can open your aperture to f2 and get that creamy soft background while shooting outside in the mid-day harsh light. And yes, the sunlight becomes your background or fill light while your measly speedlight becomes the main light. Too cool.  (non-Fuji strobes and synch cords work with this camera. In manual only, however, not TTL.)

Now, at the other end of all that… we have low light situations. The noise characteristics of this camera are wonderful. Easily usable up to ISO 6400 before you start to get too much grain/noise. And even then it’s a matter of taste. Some people like that for certain effects. But if you need clean images in seriously low light, you’ve got it with this camera.

A couple quirks and techs:

16 megapixel DX sensor, 23mm fixed lens (35mm equivalent), 6 FPS, built-in flash can be used as a commander for your speedlight.

– Can’t use flash (built-in or external) if you’re shooting in continuous drive. Which I’m OK with, but I wasn’t aware of this — didn’t see it anywhere mentioned in the manual — and so I was thinking my camera was already F-ed up on its second day. Thankfully a quick Google search got me the answer and put me at ease.

– When in macro focusing mode, you can’t use the Optical Viewfinder. Only the Electronic Viewfinder. Which makes sense, I guess. But, again, if you don’t remember you’re in that mode you’ll find yourself flipping the viewfinder selector switch again and again wondering why it won’t work. Take it out of Macro mode and all viewfinders are usable again. (Oh, did I mention it has an optical viewfinder as well as an electronic one? Yeah, so there’s that. Which is very cool.)

I could mention a couple more flaky things, but I wouldn’t want to spoil the surprise. Everybody should have their own fun quirky experiences.

As my friend Gordon Lafleur said, the learning curve is not small with the X100S, but it really is a great camera. I hope to be putting it to real world use very soon. In the meantime, I’m discovering it as I go and loving it more and more.

A few Samples:

Sharp lens.

Sharp lens.

Excellent color right out of camera.

Excellent color right out of camera.

rachel klein-kircher. fuji x100s tests

Leaf shutter magic.

rachel klein-kircher. fuji x100s tests

Shot mid-day at 1/1000 sec, f2 with ND filter engaged. Using a Nikon SB 800 with diffuser plate down and a shoot through umbrella. No kidding.

rachel klein-kircher. fuji x100s tests

Excellent low light, high ISO capabilities. Sees in the dark.

 

iPhone Archive… Hobo Chronicles.

Some time back, I began a project entitled The Hobo Chronicles. I was trying to create a visual work of fiction about a man traveling the country by rail. Like many projects this one eventually ran its course and I moved on to something new. Checking the archives recently I’ve sort of rediscovered the flame for this one. I’m thinking I may have to create another chapter or two. In the meantime, in the coming weeks, I’m going to share some of what already exists.

Where will this go? Who knows? Where ever the rails take it, I suppose!

In Silverton, Colorado, my friend Jeremy plays a part.

Photojournalist Jeremy Wade Shockley in Silverton, Colorado.

Photojournalist Jeremy Wade Shockley in Silverton, Colorado.

MAPS at Jug Bay

Monitoring Avian Productivity and Survivorship (MAPS) is a nationwide program that studies and tracks songbird populations.  I visited the Jug Bay Wetlands Sanctuary in Maryland in the Spring of 2012 to document its staff and volunteers as they went about collecting and recording data of various avian residents. (Do visit them if you find yourself in the area. Beautiful place and good people!)

It's an early start at Jug Bay. Mike Quinlan is first to arrive at 6 AM. He opens all 14 nets situated around the sanctuary then helps lead the all volunteer crew as they capture, measure, weigh and band various song birds for the MAPS program.

It’s an early start at Jug Bay. Mike Quinlan is first to arrive at 6 AM. He opens all 14 nets situated around the sanctuary, he then
helps lead the all volunteer crew as they capture, measure, weigh and band various song birds for the MAPS program.

Portrait of an adult red-eyed vireo.

Portrait of an adult red-eyed vireo.

Tufted titmouse at Jug Bay, Maryland

Tufted titmouse. Awaiting extraction from one of the mist nets.

Measuring the wing of a tufted titmouse. Jug Bay, Maryland

Measuring the wing of a tufted titmouse.

Northern cardinal at Jug Bay, Maryland.

Male northern cardinal registering a complaint.

Jug Bay, Maryland. Bird banding crew.

Volunteers are urged to bring sturdy, comfortable footwear. It is a one mile round trip to
visit all 14 net locations in the sanctuary, and there are 6 rounds each outing.

Sandy teliak photographs a prothonotary warbler for his records. Jug Bay, Maryland.

Sandy Teliak, one of the volunteer leads, photographs a prothonotary warbler for his records.

adult male scarlet tanager.

There’s no mistaking an adult male scarlet tanager.

jug bay MAPS study.

Mike Quinlan and Sandy Teliak take measurements as Karen Caruso (center) records the data.

A male prothonotary warbler ready to take flight after banding.

Male prothonotary warbler ready to take flight after banding.

View of Jug Bay from the visitor center's overlook deck.

View of Jug Bay from the visitor center’s overlook deck.